A year after his mother's death, Toby is in limbo and angry about it but he's still just a kid at school. 　　Into Toby's life comes Art. Art is made of plastic and filled with air. He’s someone unique who also doesn't fit in and shares a very different outlook on life. Both boys become firm friends and as Toby starts to open up, Art shows him another way to live. 　　Yet as with all the best tales, it's not going to last and, with Art gone, Toby has to choose whether to go back to whom he was before – or to finally move on.

A year after his mother's death, Toby is in limbo and angry about it but he's still just a kid at school. 　　Into Toby's life comes Art. Art is made of plastic and filled with air. He’s someone unique who also doesn't fit in and shares a very different outlook on life. Both boys become firm friends and as Toby starts to open up, Art shows him another way to live. 　　Yet as with all the best tales, it's not going to last and, with Art gone, Toby has to choose whether to go back to whom he was before – or to finally move on.

Documentary telling the amazing story of how a group of reclusive Rhineland experimentalists called Kraftwerk became one of the most influential pop groups of all time. It is a celebration of the band featuring exclusive live tracks filmed at their Tate Modern shows in London in February 2013, interwoven with expert analysis, archive footage of the group going back to 1970, newsreel of the era and newly shot cinematic evocations of their obsessions. With contributions from techno pioneer Derrick May, Can founder Holger Czukay, DJ and remixer Francois Kevorkian, graphic design guru Neville Brody, writer Paul Morley, band photographer Peter Boettcher, Tate Modern curator Caroline Wood and others.

Documentary telling the amazing story of how a group of reclusive Rhineland experimentalists called Kraftwerk became one of the most influential pop groups of all time. It is a celebration of the band featuring exclusive live tracks filmed at their Tate Modern shows in London in February 2013, interwoven with expert analysis, archive footage of the group going back to 1970, newsreel of the era and newly shot cinematic evocations of their obsessions. With contributions from techno pioneer Derrick May, Can founder Holger Czukay, DJ and remixer Francois Kevorkian, graphic design guru Neville Brody, writer Paul Morley, band photographer Peter Boettcher, Tate Modern curator Caroline Wood and others.

Upon getting out of prison, Deok-Bae meets his old buddy Dal-soo, who owns a restaurant. These two have never succeeded in life, and are constantly in and out of prison. Two others who happen to be in the same boat as Deok-Bae and Dal-Soo are ex-convicts. They have threatened to commit suicide unless traffic and unemployment issues are resolved. They are also unlucky enough to have been spotted at the scene of a crime. While these four are making big plans for their first success, the city becomes wrapped up in a serial murder case. In the meantime, an investigating team of veteran cops is formed in order to solve this case.

In a radical action like Nam June Paik destroying a violin, and rolling up in bandages the bodies of the players in in a concert by Yoko Ono, the international avant-garde group Fluxus changed not only art, but the concept of it. 　　Fluxus Replayed is a document of a 1991 performance in New York, which reproduced historical Fluxus performance pieces from the early 1960s. The S.E.M. Ensemble together with some of the Fluxus artists themselves, perform works by Nam June Paik, Yoko Ono, Dick Higgins, George Brecht, Allison Knowles, Ben Patterson, Jackson Mac Low and Emett Williams. 　　"Taka iimura is a senior figure among contemporary Japanese artists and has been working with film, sound and video since the 1960s. He was one of several Japanese who, coming from a 20th Century tradition of avant-garde intervention, contributed to the Fluxus group in the 60s... As the cycle of experimentation moves through another generation, glimpses of precursors through archive recordings of this kind help ground artists’ surviving words and artworks." 　　-- Mike Leggett, Leonardo Digital Review, MIT Press

So my caring mother would rub the Fluxus Hair Tainer into my scalp, comb my disobedient locks, and then send me off to school looking like that ass-wipe kind on the bottle. I was an independent kid by gum, and this hair meant that I belonged, that my parents knew what was fucking what. This film is an adaptation of Paul Auster story: "Timbuktu".

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《博若莱新酒驾到》（Beaujolais Nouveau Est Arrived）由让-吕克·沃尔福（Jean-Luc Voulfow）执导，于1978年上映，改编自勒内·法莱（René Fallet）的小说，是一部以法国乡村风情和民间友谊为背景的喜剧，讲述了一场不可思议的冒险。影片讲述了卡玛杜勒（Camadule）的故事，他是一位神秘而可爱的人物，在他的小咖啡馆“加斯顿之家”（Chez Gaston）里备受尊敬，在那里他分享着各种轶事和秘密。一天，他的朋友们委托他一项神圣的任务，去取几桶博若莱新酒，据说这些酒属于一位他很受宠的老伯爵夫人。为了完成这项任务，他与上尉——一位对生活和失败感到失望的退伍军人——以及移民工人卡梅尔（Kamel）——携手同行，他们都怀揣着对新酒的期盼和共同冒险的梦想。